![]() “The Hidden Fortress” over-delivered on that front more than he ever could’ve imagined.Ī self-described piece of “100% entertainment” that became the biggest hit of Kurosawa’s career to date, the fourth-highest-grossing film of its year in Japan, and later one of the most consecrated inspirations for a movie called “ Star Wars,” “The Hidden Fortress” is typically remembered as a low-calorie snack or a historical footnote. ![]() ![]() Kurosawa knew that he was backing himself into a corner that he could only buy his way out of with box office receipts. New Movies: Release Calendar for November 4, Plus Where to Watch the Latest Films Sundance Sets Tone for Increasingly Crowded Best Documentary Feature Race It’s not exactly Lee’s most light-handed effort, but it remains riveting, righteous, and bleakly funny. (Includes audio commentary, new interviews, featurettes, deleted scenes, music videos, and trailers.Carrie-Anne Moss and Lee Jung-jae Officially Join Cast of 'Star Wars' Series 'The Acolyte'ĭamon Lindelof's Secret 'Star Wars' Film Nabs 'Ms. The power of its commentary has dulled not one bit, from the disturbing images of African-American performers “Blacking up” in the make-up mirror to the harrowing closing montage of racism in American media. But its central premise, a sharp-edged mash-up of “ Network” and “ The Producers,” hasn’t lost any of its potency, nor has the picture’s questions of Black self-identity and complicity (and that goes double for the television writers’ room conversation on diversity – hell, they’re still using some of the same excuses). “ Bamboozled ”: Spike Lee’s 2000 indictment of mass media (new to the Criterion Collection) has its share of wobbles – starting your satire with a voice-over definition of “satire” is certainly a choice, and its third-act lean into violence still plays like an act of desperation. Griffin Gluck is likable and credible as the generally good kid at the picture’s center, while Pete Davidson proves he has real movie-actor chops with his complicated portrayal of a burnout who’s more self-aware than he likes to project. But its aims are different: it seems more firmly tethered in the real world than most of its contemporaries (it considers the consequences of teen irresponsibility in a way that something like “ Superbad” doesn’t), and it’s less about coming of age than coming to terms with oneself, and with the kind of person you do – and more importantly – don’t want to be. “ Big Time Adolescence ”: You’ve seen a million teen coming-of-age movies, and it’s not that this Hulu pick-up from writer/director Jason Orley changes up the playbook all that much. ![]() So, if you find yourself self-isolating, at least there are some great options available to keep you entertained through this tough time. In addition to a couple of new coming-of-age films on Hulu and Disney+, this week also sees the release of a new Terrence Malick drama on Blu-ray, as well as one of Spike Lee’s more underrated films. ![]() READ MORE: Even More Streaming Options For Your Weekend Of Coronavirus Self-Isolation & Social Distancing So, with that in mind, the following recommendations couldn’t be coming at a better time. Unlike previous weeks, when streaming or buying new films to watch in the comfort of your home is a luxury, the COVID-19 pandemic has made home viewing a necessity. This weekly column sifts through all of those choices to pluck out the movies most worth your time, no matter how you’re watching. Every Tuesday, discriminating viewers are confronted with a flurry of choices: new releases on disc and on-demand, vintage and original movies on any number of streaming platforms, catalog titles making a splash on Blu-ray or 4K. ![]()
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